Jacob Jackmauh, Caitlin McCann & Benjamin Stallings
As for me, I’m just passing through this planet
March 8 - April 14, 2024


Irina Jasnowski Pascual
Wipers
September 15 - October 29, 2023



Coco Klockner
honesty
July 8 - August 6, 2023


Morgan Canavan, Ben Estes, Marisa Takal
More Coming Back & More Returning
May 5 - June 11, 2023


Sylvie Hayes-Wallace
Center of the Universe
August 5 - September 18, 2022


Amanda Horowitz

Bad Water, True West or Between Myself the Crickets and the Coyote
performed by Sophia Cleary and Ada Friedman
July 14 & July 15, 2022


Suzanna Zak
Coming Home to the Ice Age
opening May 13 - June 24, 2022 


Strauss Bourque-LaFrance, Milano Chow, Jenni Crain,
Kristin Dickson- Okuda, Rubens Ghenov, Ann Gillen, KB Jones,
Michael Kennedy Costa, Sean Macalister, Sarah McMenimen,
J. Parker Valentine, Anna Rosen
XX Perfect Souls, curated by Natalie Smith
April 1 - May 6, 2022


Justin Chance, Cameron Cameron, Tristan Higginbotham
Serendipity Trail
February 12 - March 25, 2022


Noah Furman
Beginners
December 3, 2021 - January 25, 2022


Angélique Heidler
Piselli
October 8 - November 19, 2021

Natalie Smith
Nothing Within or Without
August 13 - September 14, 2021


Celia Lesh & Esther Sibiude
A Hole Filled With Noise, curated by Colleen Billing
July 2 - August 2, 2021

E. Saffronia Downing
Field Dug Over
May 21- June  27, 2021


Matt Smoak
Body Without Organs
April 2 - May 2, 2021

Eleanor Conover
Learning From the Steep Slope
March 5 - March 30, 2021




About
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open by appointment

located beside
320 E. Churchwell Ave
Knoxville, Tennessee





Girls/Crossdressers’ Bows, 2023, found wood, conduit pipe, denim stretch belts


Girls/Crossdressers’ Bows, 2023, found wood, conduit pipe, denim stretch belts

Rissa Exchange, 2023
backpack sprayer, scrunchie from Rissa received April 2023 in exchange for one brown scrunchie, canvas, ball bearings, unidentified fluid



Rissa Exchange, 2023
backpack sprayer, scrunchie from Rissa received April 2023 in exchange for one brown scrunchie, canvas, ball bearings, unidentified fluid



Honesty (Anti-Cartesian Model), 2023
Von Kempelen Speaking Machine reconstructed from 1791 plans in Mechanismus der Menschlichen Sprache Nebst der Beschreibung Seiner Sprechenden Maschine (maple, walnut, brass, silicone, leather, resin, tape), ball bearings



Honesty (Anti-Cartesian Model), 2023
Von Kempelen Speaking Machine reconstructed from 1791 plans in Mechanismus der Menschlichen Sprache Nebst der Beschreibung Seiner Sprechenden Maschine (maple, walnut, brass, silicone, leather, resin, tape), ball bearings


Honesty (Anti-Cartesian Model), 2023
Von Kempelen Speaking Machine reconstructed from 1791 plans in Mechanismus der Menschlichen Sprache Nebst der Beschreibung Seiner Sprechenden Maschine (maple, walnut, brass, silicone, leather, resin, tape), ball bearings


Untitled (Xenomorph), 2023, white brass, medical tape, epoxy, cardboard


Untitled (Xenomorph), 2023, white brass, medical tape, epoxy, cardboard

Untitled (Field Array), 2023, 13 tripods, 3 channel audio

Egg I Laid, 2023,  XPS foam, resin, aerosol paint

 honesty, installation image
  On/No, 2023, deconstructed bag, rivets, steel


honesty, installation image

honesty
Coco Klockner
July 8 - Aug 13

In 1784, an early witness of Wolfgang von Kempelen’s Speaking Machine — one of the first to articulate a somewhat complete range of vowel and consonant sounds — recorded in letter a response to hearing its set of sounds, together functioning as something of a synthetic bridge to nowhere:

You cannot believe, my dear friend, how we were all seized by a magic feeling when we first heard the human voice and human speech which apparently didn’t come from a human mouth. We looked at each other in silence and consternation and we all had goose-flesh produced by horror in the first moments.